Collection F0584 - Wyndham Lewis Collection

Zone du titre et de la mention de responsabilité

Titre propre

Wyndham Lewis Collection

Dénomination générale des documents

  • Document textuel

Titre parallèle

Compléments du titre

Mentions de responsabilité du titre

Notes du titre

Niveau de description

Collection

Cote

CA ON00370 F0584

Zone de l'édition

Mention d'édition

Mentions de responsabilité relatives à l'édition

Zone des précisions relatives à la catégorie de documents

Mention d'échelle (cartographique)

Mention de projection (cartographique)

Mention des coordonnées (cartographiques)

Mention d'échelle (architecturale)

Juridiction responsable et dénomination (philatélique)

Zone des dates de production

Date(s)

Zone de description matérielle

Description matérielle

0.04 m of textual records.

Zone de la collection

Titre propre de la collection

Titres parallèles de la collection

Compléments du titre de la collection

Mention de responsabilité relative à la collection

Numérotation à l'intérieur de la collection

Note sur la collection

Zone de la description archivistique

Nom du producteur

(1882-1957)

Notice biographique

Wyndham Lewis (1882-1957) was an artist, novelist, critic and self-styled rebel. Born on a boat off the coast of Nova Scotia in to an American father and English mother, Lewis spent his early childhood living in Maritime outports until the family returned to England where his parents separated in 1893. Often in an antagonistic relationship with his Canadian origins, Lewis frequently referred to Toronto a "sanctimonious ice box" to correspondents during his residency in the city during WWII. Lewis is perhaps best known as the chief instigator of the Vorticist art movement in England, a form of Cubo-Futurism, which flourished prior to WWI. The editor of the celebrated avant-garde magazine BLAST, Lewis, along with his friend Ezra Pound, stood out as a leader of the movement, particularly because of his penchant for controversy and provocative stances. Although he spent the majority of his adult life in England, Lewis had several periods where he had a direct engagement with Canadian society. During WWI, he escaped active duty as a bombardier working instead as a war artist, where he was responsible for creating significant works of art for the Canadian War Memorials Fund, notably A Canadian Gun-Pit (1918) which resides in the National Gallery of Canada. During WWII he and his wife found refuge in Canada where he supported himself as a portrait painter in Toronto and as a teacher at Assumption College in Windsor, Ontario. In fact, his novel Self-Condemned (1954) is set in Momaco, a fictionalized Toronto. He and his wife resided at the Tudor Hotel on Sherbourne Street from 1940 to 1943, until a hotel fire forced them to move. Lewis's writing and art have had significant influence on major Canadian figures, most notably the author Sheila Watson and the media theorist Marshall McLuhan. Befriended by McLuhan during WWII, Lewis had a significant impact on McLuhan's theories on media and in particular his concept of "the global village" and the study of the mechanical environment as a teaching machine. After the war Lewis and his wife returned to England where he continued to write criticism and published a semi-autobiographical novel "Self-Condemned." Wyndham Lewis went completely blind in 1951 and died in England in 1957.

Historique de la conservation

Much of this collection is made up of items related to the work and influence of Wyndham Lewis from a variety of sources. The provenance of many of these materials is unclear. Many of these letters or pieces of ephemera may have been acquired by Hugh Anson Cartwright in the course of his activities as a antiquarian book dealer as well as a collector of Lewis' work.

Portée et contenu

Collection consists of archival material included in the Wyndham Lewis Collection. Consisting of batches of letters from Lewis' widow, Anne Wyndham Lewis (Froanna), news clippings on various aspects of Lewis' public activities (book reviews, criticism, artwork, obituaries), and promotional material relating to his publications (publishers' advertisements, inserts, and other ephemera).

Zone des notes

État de conservation

Materials are in good condition, some foxing on pages.

Source immédiate d'acquisition

Acquired from Hugh Anson-Cartwright in 2010.

Classement

Langue des documents

  • anglais

Écriture des documents

Localisation des originaux

Disponibilité d'autres formats

Restrictions d'accès

There are no restrictions on access.

Délais d'utilisation, de reproduction et de publication

Instruments de recherche

A file list for Accession 2010-051 is available, see: http://archivesfa.library.yorku.ca/filelist/2010-051.584.htm .

Éléments associés

Other archival fonds or collections related to Wyndham Lewis can be found at Cornell University's Division of Rare and Manuscript Collections (collection number 4162), the Cyril James Fox fonds at the University of Victoria's Special Collections, the Sheila Watson fonds at the University of St. Michael's College and the Marshall McLuhan fonds at Library Archives Canada.

Éléments associés

Accroissements

The collection comprises the following accessions: 2010-051.

Identifiant(s) alternatif(s)

Zone du numéro normalisé

Numéro normalisé

Mots-clés

Mots-clés - Sujets

Mots-clés - Lieux

Mots-clés - Noms

Mots-clés - Genre

Zone du contrôle

Identifiant de la description du document

F0584

Identifiant du service d'archives

ON00370

Règles ou conventions

Statut

Final

Niveau de détail

Moyen

Dates de production, de révision et de suppression

Collection description created 2010/11/27. Last revised 2010/11/27. Uploaded to Archeion 2012/02/25.

Langue de la description

  • anglais

Langage d'écriture de la description

Sources

Zone des entrées

Sujets associés

Personnes et organismes associés

Lieux associés

Genres associés