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Item is one lead .22 caliber bullet. Typically, this item was used with small pocket pistols and mini revolvers.

Item is a linen apron. Sometimes called a waitress apron or a maid apron, it features delicate embroidered details, two pockets and a scalloped hem. The item likely dates to the early 20th century.

Item is one temporary plaque made of corrugated plastic. The design of the plaque replicates other heritage plaques around the city of Toronto that detail local history. Titled “Baby Point Crescent, Baby Point Road, Baby Point Terrace”, the contents of the sign explains the history of Jacques “James” Baby, who the area is named after. It highlights the Baby family’s ties to slavery, citing they were responsible for enslaving at least 17 Black and Indigneous people. The creator of the sign is unknown, it is one of several signs placed around Toronto to draw attention to the involvment of prominent historical figures in slavery.

Item is a ceramic bed warmer or foot warmer. Originally, bed warmers used hot coals from a fire to warm the bed before use. This example, however, could stay in the bed as the user slept and would be filled with hot water.

The warmer is designed to replicate a small Gladstone bag and features faux stitching patterns along the seams. The original handle has been replaced with a leather tie, but the item still has the original wooden stopper.

Item is one tin fire extinguisher. It was filled with sodium bicarbonate which would be thrown onto the base of a fire to smother it.

Item contains one crochet boudoir cap, or sleeping cap. The pink thread is crocheted in a small net pattern with a scalloped edge. Boudoir caps became popular in the 19th century as a sort of hairnet to protect the user’s hairstyle as they slept. By the early 1900s, caps like this lace example became popular for their femininity.

Item contains one boudoir cap, or sleeping cap. It features crocheted ecru lace and a pink, silk panel. Boudoir caps became popular in the 19th century as a sort of hairnet to protect the user’s hairstyle as they slept. By the early 1900s, caps like this silk and lace example became popular for their femininity.

Sir Hugh Allan, Sir John A Macdonald, Alexander Galt, and WP Howland as well as other prominent Canadians are all depicted on the left while a group of young men is depicted on the right. In the centre is Miss Canada who declares “"I am quite ready to hear your pretensions, young people. You say you object to Imperial distinctions being bestowed on Canadians, yet these are my great men. Can you replace them?".

Item is one chamber pot, or portable toilet, with lid and handle. Produced by Dudson Wilcox & Till Ltd. It features embossing and the floral "clio" print from their range of transferware patterns. The pot itself has a green design, whereas the design on the lid is in dark blue and the floral pattern differs slightly. This may suggests the lid is not the original.

Chamber pots were often kept under a bed or in a nightstand. They remained a common household item until the mid twentieth century, but variations of the chamber pot are still in use today.

Item is one machine sewn child's dress. It features lace detailing on the collar and sleeves.

Item is a matching set of cobra shaped candlesticks. They are engraved with geometric and floral designs.

Item is one hand crochet tablecloth. It features a round floral lace design.

Item is a pair of mid 19th century eyeglasses with a simple metal wire frame. Their original case is also included.

Item is a flour scoop with a wooden handle. It is marked with the number 3 under the handle.

The item is a handmade fine lace collar that features a Maltese cross pattern. It is laid flat in a gold gilt frame. A handwritten note attached to the back of the frame identifies it as being produced in Nottingham England, and brought to Canada sometime in 1915.

Item consists of three linen kitchen towels. They are woven in the huckaback style, which was popular during the late 1800s and early 1900 for its durability and absorbance. Two of the towels feature additional detailing on the hems, one with lace and the other with a damask pattern. The items are indicative of what may have been used at Lambton House while it was operational.

Collection contains 11 empty bottles that range in dates over the 1900s. They are demonstrative of what may have been served or used at Lambton House while it was operational as a tavern.

Highlights include: a 1903 bottle of Canadian whiskey produced by the Hamilton Royal Distillery; a bottle of Ballantine's London dry gin, imported and bottled in Ontario ca. 1900; a 75th anniversary Canada Dry ginger ale bottle manufactured in 1979; a bottle of "Toronto's Very Own" amber lager produced by Molson Canadian ca. 1999; and several unmarked bottles, and bottles labeled O'Keefe's.

This collection of tableware includes plates, bowls, and platters in various sizes. All the items have a matching blue and white motif in a style referred to as Flow Blue ceramics. In terms of design, it is similar to traditional blue and white china, except the ceramics undergo a process during glazing that creates an intentional blur of the colours. Sometimes called "poor man's china", it became popular for its inexpensive price, durability and its ability to be mass produced. Known as "transferware", a variety of different patterns arose in an attempt to replicate the look of eastern ceramic wares. Patterns were largely derived from Chinese-export wares and existent (topographical, historical and botanical) images known as source prints. These kinds of ceramics became increasingly popular in the North American market. This set is demonstrative of the kind of tableware that may have been used at Lambton House when it was operational.

Item is a magnifying glass with a painted wood handle. The maker's marks on the top of the metal frame for Bausch & Lomb Co. suggests a date earlier than 1908 when the company merged with Zeiss & Saegmuller and began using B. L. Z. S. as their trademark.

Item consists of 60 handmade clay marbles in varying colours, all roughly 1 cm in diameter. The marbles are housed in a fabric covered cardboard box, along with a small glass jar that holds 17 metal jacks. On the bottom, and inside the lid of the box, is a handwritten inscription explaining who previously owned and played with these items, however the name is illegible.