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The fonds consists of articles, correspondence, records of bodies that James Bryce Milner was a member of, reports, and research material.

The fonds consists of records created by James Laxer in his capacity as a student, writer, and activist. Fonds includes some of Laxer's highschool debate speeches, MA and PhD research, professional correspondence, Waffle records, political reports, research notes, newspaper columns, book proposals, and drafts of articles and book manuscripts for both published and unpublished material including 'Leap of faith,' 'Decline of the superpowers,' 'The undeclared war : class conflict in the age of cyber capitalism,' 'Stalking the elephant : my discovery of America,' 'The border : between uneasy neighbours,' 'Red diaper bBaby : a memoir of childhood in the age of McCarthyism,' 'The groundwork guide to empire', 'The Acadians : in search of a homeland' and 'Jamais Provence.' It also includes correspondence and draft scripts for his films, 'The CCF-NDP : building Jerusalem' and 'Reckoning.'

The fonds consists James Gillies' records pertaining to his activities as educator, author and politician. It contains personal records.

The fonds consists of correspondence of James Mavor with colleagues as well as press clippings relating to a Balkans Crisis in 1908.

The fonds consists of correspondence, memoranda and notes, by James Morrison and others, concerning the activities of the UFO and the UFCC. There is also an unsigned biographical sketch of Morrison.

Fonds consists of material that documents Tenney's career as an composer, musician and academic and contains personal and professional correspondence with friends and colleagues including copies of letters received from such people as Carolee Schneeman, Steve Reich, Stan Brakhage and Lionel Nowak, among others, as well as correspondence with Bell Telephone Laboratories that documents his efforts in developing programs for computer sound-generation. It also contains records in the form of musical scores, computer outputs, programmes, clippings and sound recordings that document his musical output and material that documents Tenney's ongoing academic and professional interest in the fields of composition, music theory and electronic music, among others. The fonds has been arranged into the following series: Fonds is comprised of the following series: S00329 Correspondence files S00330 Musical scores S00331 Musical performance files S00332 Research and writing files

Fonds consists of material that documents Keefer’s career as a writer and academic and, as such, includes personal and professional correspondence with writers such as Don Coles, Douglas Glover, Isabel Huggan, Susan Kerslake, Anne Michaels and Robert Weaver among others; files related to her work with the Eden Mills Writers’ Festival and House of Anansi; notes and drafts of poems and short stories written by Keefer and notes, drafts and manuscript copies of her published works of fiction and non-fiction including "Rest Harrow", "The Green Library", "Thieves" and "Honey and Ashes: A Story of Family".

The fonds consists of research notes, publication files for Janice Tyrwhitt's book, The Mill; copies of published articles, including the 'Reader's digest' articles that Tyrwhitt wrote or edited (1974-1992); correspondence and related material for Tyrwhitt's editorial and publishing career; and files related to the books written by Pierre Berton for which Tyrwhitt conducted research and answered correspondence.

Fonds consists of manuscript and typescript copies of Jason Sherman's work, copies of scripts with revisions, clippings and reviews pertaining to the production of his plays, personal and business correspondence, subject files and other material pertaining to his career as a writer as well as the operational files of "What" magazine. Fonds is comprised of the following series: S00108 - 'What' Magazine files S00109 - Writing and production files

The fonds consists of typescripts, page proofs, and photocopies of the following books written and edited by Jay Leyda: "Film essays with a lecture," by Sergei Eisenstein, edited by Jay Leyda, which contains corrected typescript including photocopies of articles written by Eisenstein and corrected by Leyda for publication. Leyda's "Dianying: an account of films and the film audience in China," which was published in 1972, consists of page proofs with illustrations, as well as a corrected typescript. Leyda's "Kino: a history of the Russian and Soviet film," (1960) contains notes, a corrected typescript and galley proofs. Leyda's "The years and hours of Emily Dickenson," (1959), consists of printer's page proofs.

Fonds consists of J.D. (Jack) Keehn's published articles (1951-1990), speaking engagements (1951-1994), research files, professorial files, photographs and negatives for graphs used in publications, draft manuscripts for published and unpublished works, book reviews, essays, and press clippings.

Fonds consists of the professional records of Jean Augustine, including documents, reports, speech notes, press releases and publications relating to her activities as a community activist and volunteer; a elementary school teacher; her administration of the Metro Toronto Housing Authority; her participation on various international, national, provincial and municipal advocacy boards organizations and associations; and her activities as a federal politician and member of cabinet.

The collection consists of programmes, playbills and notices of productions in Ontario (predominantly Toronto) theatres, 1971-1983, arranged alphabetically by the title of the production. Some of the companies and theatres represented include, Toronto Arts Productions, Stratford Theatre, Skylight Theatre, Toronto Workshop Productions, Toronto Free Theatre, Royal Alex Theatre, Theatre Aquarius, National Arts Centre (Ottawa), Lime Light Dinner Theatre, Theatre in the Dell, Young People's Theatre, Shaw Festival, and Theatre Passe Muraille.

The fonds consists of Jerome Ch'en's collection of statements of delegates to the Geneva Conference in 1954 [1955?], along with newspaper clippings and related material concerning the Korean War.

Fonds consists of Jack Granatstein's research files, committee files (including minutes, memoranda, etc.), correspondence, professorial files (including notes, lectures, departmental business), financial records, publication files, printed materials, specialized series such as the Canada Council records, Hitchcock Farm financial records, the Royal Society of Canada, the Special Committee on the Restructuring of the Reserves; and oral history projects exploring the Conservative Party and the Liberal Party.

The fonds documents Johanna Stuckey's teaching and administrative activities at York University for the period 1964-1993.

The fonds documents John D. Harbron activities as a journalist for the period 1956-1990.

The fonds consists of York University-related records of John Joseph Frederick Bruckmann including curriculum planning (minutes of the Curriculum Committee, reading lists, correspondence), the Council of the Faculty of Arts and Science (1962-1965), the Residential College Committee (minutes - 1962), the Committee on Research (1962) and the Senate (1961-1965). In addition, there is material of a general nature relating to early appointments at the University, staff directories and announcements of social events.

The fonds documents John Kastner's career as a filmmaker and producer. Records consist of publicity files which include biographical information, clippings and other promotional material related to his productions; administrative and production files including transcripts and scripts, and audio reels and video cassettes used in the productions of Street Comedy, Ask a Silly Question, Somebody's Gotta Do It and Chickens are People Too.

The fonds mainly documents John Montgomery Barber's activities as member of the National Council of Welfare.