Collection F2226 - Arthur Henshaw Packer Collection

Open original Objet numérique

Zone du titre et de la mention de responsabilité

Title proper

Arthur Henshaw Packer Collection

Dénomination générale des documents

  • Document textuel
  • Document graphique

Parallel title

Other title information

Title statements of responsibility

Notes du titre

Niveau de description

Collection

Cote

CA ON00335 F2226

Zone de l'édition

Edition statement

Edition statement of responsibility

Zone des précisions relatives à la catégorie de documents

Statement of scale (cartographic)

Statement of projection (cartographic)

Statement of coordinates (cartographic)

Statement of scale (architectural)

Issuing jurisdiction and denomination (philatelic)

Zone des dates de production

Date(s)

  • [194?] - 2005 (Production)
    Producteur
    Arthur Henshaw Packer

Zone de description matérielle

Physical description

6 cm of textual records
22 photographs

Zone de la collection

Title proper of publisher's series

Parallel titles of publisher's series

Other title information of publisher's series

Statement of responsibility relating to publisher's series

Numbering within publisher's series

Note on publisher's series

Zone de la description archivistique

Nom du producteur

(1888-1953)

Notice biographique

Arthur Henshaw Packer, sculptor, artist, designer, carver, was born on 11 May 1888 at Trowbridge, Wiltshire, England. He studied art and architecture in Bath, England and as a part of his training, did a number of carvings on public buildings around the Bath area. In 1910, after the completion of his course study, he immigrated to Winnipeg, Manitoba, joining his family who had arrived in Canada in 1907.

Upon arrival, he worked at the DeKew Company, which supplied ornamental stone and mouldings. Packer also worked on a number of small commissions, such as the carvings on Gaiety Theatre [1912?] and Marlborough Hotel [1913?] in Winnipeg. In 1913, he married his fiancée Kate Edith Cox (1886-1943) shortly after her emigration from Bournemouth, England. Packer and his wife had one daughter, June K. Ridley (1914-2001).

Packer received the commission to carve the reliefs on the tympanum of the Winnipeg Law Court around 1914. After 1914, he became a homesteader, owning a farm on the Peguis First Nations Reserve with his extended family. In 1917, he began working as a school teacher on the reserve. Around 1935, he moved with his wife, daughter and son-in-law to Toronto, where he once again took up sculpting and carving. He designed and constructed a series of English Cottage style homes in the Kingsway area in west Toronto with his son-in-law. In 1941 he accepted the commission from Trinity College to carve the portraits of King George VI, Queen Elizabeth, Archbishop Owen and the Provost Cosgrave in the Trinity Quadrangle. He may have worked on the bas reliefs and the coat of arms on the former Postal Building at 40 Bay St. (now the Air Canada Center) around 1938 and he contributed to the carving of the QEW Monument in 1939. He is also thought to have carved the Canadian Coat of Arms on the Rainbow Bridge at Niagara Falls in 1942.

During the war period he worked for the DeHavilland Aircraft Company, modelling parts of planes. He continued to work on private commissions after 1945. Packer died in 1953 at his home in Toronto.

[Source]: Most of the biographical information on A.H. Packer comes from a biography written by his daughter, June K. Ridley, Artist Among the Wolves , published in 2005

Historique de la conservation

Portée et contenu

The collection consists of material documenting Packer’s professional work in the city of Toronto,
including photographs, a report from the Toronto Historical Society Board, and his biography.

Zone des notes

État de conservation

Source immédiate d'acquisition

Photographs of Packer working on the sculptures at Trinity College were given to the archives by June K. Ridley in 1995.

Arrangement

Language of material

    Script of material

      Location of originals

      Availability of other formats

      Restrictions on access

      Open

      Terms governing use, reproduction, and publication

      Various copyright holders. It is the researcher's responsibility to obtain permission to publish any part of the fonds.

      Finding aids

      Finding aid attached.

      Associated materials

      Éléments associés

      Accruals

      Identifiant(s) alternatif(s)

      Standard number

      Standard number

      Mots-clés

      Mots-clés - Sujets

      Mots-clés - Lieux

      Mots-clés - Noms

      Mots-clés - Genre

      Zone du contrôle

      Description record identifier

      Identifiant du service d'archives

      Règles ou conventions

      Statut

      Niveau de détail

      Dates de production, de révision et de suppression

      Language of description

        Script of description

          Sources

          Objet numérique (Fichier maître) zone des droits

          Objet numérique (Référence) zone des droits

          Objet numérique (Vignette) zone des droits

          Accession area