Área de título y declaración de responsabilidad
Título apropiado
Tipo general de material
- Textual record
- Graphic material
Título paralelo
Otra información de título
Título declaración de responsabilidad
Título notas
Nivel de descripción
Institución archivística
Código de referencia
Área de edición
Declaración de edición
Declaración de responsabilidad de edición
Área de detalles específicos de la clase de material
Mención de la escala (cartográfica)
Mención de proyección (cartográfica)
Mención de coordenadas (cartográfica)
Mención de la escala (arquitectónica)
Jurisdicción de emisión y denominación (filatélico)
Área de fechas de creación
Fecha(s)
-
[194?] - 2005 (Criação)
- Creador
- Arthur Henshaw Packer
Área de descripción física
Descripción física
6 cm of textual records
22 photographs
Área de series editoriales
Título apropiado de las series del editor
Títulos paralelos de serie editorial
Otra información de título de las series editoriales
Declaración de responsabilidad relativa a las series editoriales
Numeración dentro de la serie editorial
Nota en las series editoriales
Área de descripción del archivo
Nombre del productor
Historia biográfica
Arthur Henshaw Packer, sculptor, artist, designer, carver, was born on 11 May 1888 at Trowbridge, Wiltshire, England. He studied art and architecture in Bath, England and as a part of his training, did a number of carvings on public buildings around the Bath area. In 1910, after the completion of his course study, he immigrated to Winnipeg, Manitoba, joining his family who had arrived in Canada in 1907.
Upon arrival, he worked at the DeKew Company, which supplied ornamental stone and mouldings. Packer also worked on a number of small commissions, such as the carvings on Gaiety Theatre [1912?] and Marlborough Hotel [1913?] in Winnipeg. In 1913, he married his fiancée Kate Edith Cox (1886-1943) shortly after her emigration from Bournemouth, England. Packer and his wife had one daughter, June K. Ridley (1914-2001).
Packer received the commission to carve the reliefs on the tympanum of the Winnipeg Law Court around 1914. After 1914, he became a homesteader, owning a farm on the Peguis First Nations Reserve with his extended family. In 1917, he began working as a school teacher on the reserve. Around 1935, he moved with his wife, daughter and son-in-law to Toronto, where he once again took up sculpting and carving. He designed and constructed a series of English Cottage style homes in the Kingsway area in west Toronto with his son-in-law. In 1941 he accepted the commission from Trinity College to carve the portraits of King George VI, Queen Elizabeth, Archbishop Owen and the Provost Cosgrave in the Trinity Quadrangle. He may have worked on the bas reliefs and the coat of arms on the former Postal Building at 40 Bay St. (now the Air Canada Center) around 1938 and he contributed to the carving of the QEW Monument in 1939. He is also thought to have carved the Canadian Coat of Arms on the Rainbow Bridge at Niagara Falls in 1942.
During the war period he worked for the DeHavilland Aircraft Company, modelling parts of planes. He continued to work on private commissions after 1945. Packer died in 1953 at his home in Toronto.
[Source]: Most of the biographical information on A.H. Packer comes from a biography written by his daughter, June K. Ridley, Artist Among the Wolves , published in 2005
Historial de custodia
Alcance y contenido
The collection consists of material documenting Packer’s professional work in the city of Toronto,
including photographs, a report from the Toronto Historical Society Board, and his biography.
Área de notas
Condiciones físicas
Origen del ingreso
Photographs of Packer working on the sculptures at Trinity College were given to the archives by June K. Ridley in 1995.
Arreglo
Idioma del material
Escritura del material
Ubicación de los originales
Disponibilidad de otros formatos
Restricciones de acceso
Open
Condiciones de uso, reproducción, y publicación
Various copyright holders. It is the researcher's responsibility to obtain permission to publish any part of the fonds.
Instrumentos de descripción
Finding aid attached.