Colección F2226 - Arthur Henshaw Packer Collection

Open original Objeto digital

Área de título y declaración de responsabilidad

Título apropiado

Arthur Henshaw Packer Collection

Tipo general de material

  • Textual record
  • Graphic material

Título paralelo

Otra información de título

Título declaración de responsabilidad

Título notas

Nivel de descripción

Colección

Institución archivística

Código de referencia

CA ON00335 F2226

Área de edición

Declaración de edición

Declaración de responsabilidad de edición

Área de detalles específicos de la clase de material

Mención de la escala (cartográfica)

Mención de proyección (cartográfica)

Mención de coordenadas (cartográfica)

Mención de la escala (arquitectónica)

Jurisdicción de emisión y denominación (filatélico)

Área de fechas de creación

Fecha(s)

  • [194?] - 2005 (Criação)
    Creador
    Arthur Henshaw Packer

Área de descripción física

Descripción física

6 cm of textual records
22 photographs

Área de series editoriales

Título apropiado de las series del editor

Títulos paralelos de serie editorial

Otra información de título de las series editoriales

Declaración de responsabilidad relativa a las series editoriales

Numeración dentro de la serie editorial

Nota en las series editoriales

Área de descripción del archivo

Nombre del productor

(1888-1953)

Historia biográfica

Arthur Henshaw Packer, sculptor, artist, designer, carver, was born on 11 May 1888 at Trowbridge, Wiltshire, England. He studied art and architecture in Bath, England and as a part of his training, did a number of carvings on public buildings around the Bath area. In 1910, after the completion of his course study, he immigrated to Winnipeg, Manitoba, joining his family who had arrived in Canada in 1907.

Upon arrival, he worked at the DeKew Company, which supplied ornamental stone and mouldings. Packer also worked on a number of small commissions, such as the carvings on Gaiety Theatre [1912?] and Marlborough Hotel [1913?] in Winnipeg. In 1913, he married his fiancée Kate Edith Cox (1886-1943) shortly after her emigration from Bournemouth, England. Packer and his wife had one daughter, June K. Ridley (1914-2001).

Packer received the commission to carve the reliefs on the tympanum of the Winnipeg Law Court around 1914. After 1914, he became a homesteader, owning a farm on the Peguis First Nations Reserve with his extended family. In 1917, he began working as a school teacher on the reserve. Around 1935, he moved with his wife, daughter and son-in-law to Toronto, where he once again took up sculpting and carving. He designed and constructed a series of English Cottage style homes in the Kingsway area in west Toronto with his son-in-law. In 1941 he accepted the commission from Trinity College to carve the portraits of King George VI, Queen Elizabeth, Archbishop Owen and the Provost Cosgrave in the Trinity Quadrangle. He may have worked on the bas reliefs and the coat of arms on the former Postal Building at 40 Bay St. (now the Air Canada Center) around 1938 and he contributed to the carving of the QEW Monument in 1939. He is also thought to have carved the Canadian Coat of Arms on the Rainbow Bridge at Niagara Falls in 1942.

During the war period he worked for the DeHavilland Aircraft Company, modelling parts of planes. He continued to work on private commissions after 1945. Packer died in 1953 at his home in Toronto.

[Source]: Most of the biographical information on A.H. Packer comes from a biography written by his daughter, June K. Ridley, Artist Among the Wolves , published in 2005

Historial de custodia

Alcance y contenido

The collection consists of material documenting Packer’s professional work in the city of Toronto,
including photographs, a report from the Toronto Historical Society Board, and his biography.

Área de notas

Condiciones físicas

Origen del ingreso

Photographs of Packer working on the sculptures at Trinity College were given to the archives by June K. Ridley in 1995.

Arreglo

Idioma del material

    Escritura del material

      Ubicación de los originales

      Disponibilidad de otros formatos

      Restricciones de acceso

      Open

      Condiciones de uso, reproducción, y publicación

      Various copyright holders. It is the researcher's responsibility to obtain permission to publish any part of the fonds.

      Instrumentos de descripción

      Finding aid attached.

      Materiales asociados

      Materiales relacionados

      Acumulaciones

      Identificador/es alternativo(os)

      Número estándar

      Número estándar

      Puntos de acceso

      Puntos de acceso por materia

      Puntos de acceso por lugar

      Puntos de acceso por autoridad

      Tipo de puntos de acceso

      Área de control

      Identificador de registro de descripción

      Identificador de la institución

      Reglas o convenciones

      Estado de elaboración

      Nivel de detalle

      Fechas de creación, revisión o eliminación

      Idioma de descripción

        Escritura de la descripción

          Fuentes

          Objeto digital (Ejemplar original), área de permisos

          Objeto digital (Referencia), área de permisos

          Objeto digital (Miniatura), área de permisos

          Área de Ingreso