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People and organizations
Brown, Brad
Person · 1940 - present

Edmund Bradley 'Brad' Brown was born on May 10, 1940 in Toronto. He attended Appleby College from 1949 to 1954 and went on to finish his secondary school studies at the University of Toronto schools. He did not graduate at Appleby College but is considered to be in the Class of 1959. At Appleby, Brad was a member of the school's Coronation Choir, who were invited to Britain by the Commonwealth Youth Movement to perform in the Coronation celebrations of Queen Elizabeth II.

Brad chose marketing as his career and after graduating from the University of Western Ontario, he joined Lever Brothers and later General Foods where he spent 10 years in positions of Product Manager, Group Product Manager and New Business Development Manager on many of those companies' largest and most successful brands. Brad later founded his own consulting company and later advertising agency, both of which had many blue chip companies as clients. Brad still consults periodically for his long time clients Mercedes-Benz, Porsche and Suncor.

Cameron, Deane
Person · ca. 1954 - 2019

In 1977 Deane Cameron became a manager for talent acquisition at EMI Music Canada. Ten years later he became president of the company, a position he held until 2012. He was instrumental to the success of many Canadian artists, some of which include Tom Cochrane, Anne Murray, and Stompin' Tom Connors. In 2010 he was appointed to the Order of Canada and in 2011 he received the Walt Grealis Special Achievement Award at the Juno Awards. Cameron lobbied for anti-piracy and copyright policies on behalf of record labels and artists and participated in the development of the Canadian music education charity MusiCounts. He also served on various music industry executive committees’, such as the Board for Music Canada, the Canadian Academy of Recording Arts and Sciences, and the Canadian Country Music Association, among others. He was appointed as President and Chief Executive Officer of Massey Hall and Roy Thomson Hall, in Toronto, in 2015.

Opera Laurier
Corporate body · 1970-

Opera Laurier is a function of the Wilfrid Laurier University Faculty of Music, staging two on-campus productions each year. In the fall term, it presents Opera Excerpts, an evening of operatic scenes around a unifying theme, and in the winter term, it performs a full opera, including Canadian and world premieres.

Opera Laurier is made up of voice performance students enrolled in the Practice of Opera course, along with other current students and alumni volunteers. Professionals work with students as stage directors and facilitators. Students gain real-world experience, not only learning the singing, movement and acting inherent in opera but also elements of stagecraft and production, including costume design and prop building, hair and makeup, set building, lighting, stage management and publicity.

Students are also challenged to be creative and resourceful while putting the production together. Time is limited by the academic calendar, while set design, costumes and lighting are governed by a tight budget.

St. Joseph's School of Music
Corporate body · 1914-1982

The Sisters of St. Joseph have a long history of music instruction. The St. Joseph’s School of Music traces its beginnings back to 1914, when the Sisters of St. Joseph first took up residence at Sacred Heart Convent in London, Ontario, and began formal music instruction, due to the initiative taken by Sister Ursula McGuire and Sister Patricia Mallon. The school was quite successful and soon after its opening, Sister Patricia Mallon was recalled from Goderich to lead the school. The school's earliest known music recital took place in 1919; however, it wasn't until the early 1920s that the school was established as the Sacred Heart School of Music. The music ministry has an even longer history, though, as individual Sisters were offering music lessons in small mission houses and schools throughout Ontario as early as 1867.

In the early days of the Sisters’ music ministry and the Sacred Heart School of Music, music studios were established in a number of schools within the London Separate School Board, and Sisters would visit the schools once or twice a week to teach. These schools included St. Michael, St. Martin, Holy Cross, Holy Rosary, Blessed Sacrament and St. Peter’s Catholic Schools. By 1929, the music ministry had 27 music teachers, and the Sisters offered music instruction in Windsor, Belle River, Leamington, Goderich, St. Mary’s, Ingersoll, Woodstock and St. Thomas in Ontario, as well as in Edmonton, Alberta. That year, Sister Callistus Arnsby was appointed Community Music Supervisor and Principal of the Sacred Heart School of Music. She was responsible for creating uniformity in policies and structure throughout the schools, and for helping the Sisters to grow professionally.

The Sacred Heart School of Music’s instructors studied and were trained themselves at the London Conservatory of Music (1892-1922), which later became the Western Ontario Conservatory of Music (1934-1997). Some of the Sisters also received special instruction in violin and piano teaching from a well-known musician of the time, Mr. St. John Hyttenruck.

The Sisters originally taught a program of studies based on the examination requirements of the Toronto Conservatory of Music (now the Royal Conservatory of Music). Students could take annual examinations, with examiners from the conservatory coming to the school for the exams. However, when the Western Ontario Conservatory of Music was established in London in 1934, the Sacred Heart School of Music began following its courses and requirements instead.

As the years went on, the Sacred Heart School of Music continued to grow. School policies were instituted, student recitals took place regularly, scholarships and awards were established, and bi-annual report cards were issued to students. There was even a music library. In the 1940s, the Sacred Heart Concert Orchestra was formed by Sister Immaculata Brophy. Originally a string ensemble, the orchestra eventually expanded to include wind, bass and percussion instruments. The Sacred Heart Concert Orchestra played frequently at important civic and religious events and gave annual concerts in London and other nearby cities until the late 1940s when it disbanded.

When the new Mount St. Joseph Motherhouse opened in 1954, the music school was relocated there, and its name was changed to the St. Joseph School of Music. The new St. Joseph School of Music contained larger, modern facilities, including St. Cecilia’s Recital Hall and adjoining music studios for teaching and practice. However, some of the school’s original studios were still retained, such as the studio at 429 Colborne St., a small house across the street from the Sacred Heart Convent, which continued to be used for teaching until 1973.

In addition to piano and violin instruction, the Sisters also offered vocal instruction. In fact, Sister Mary Margaret Childs organized several choirs over the years, including a senior girls’ choir called the School of Christ Choristers and a junior choir called the Little Radio Choir. In 1963, she formed a choir of her own senior vocal students called the St. Cecilia Singers who sang a repertoire of sacred songs, folk songs, popular songs, plain chant, and carols. The St. Cecilia Singers made quite a name for themselves, touring throughout Canada and the United States and winning many awards at Rotary and Kiwanis Music Festivals. The choir is still in existence today as part of the Don Wright Faculty of Music at Western University. By 1972, the St. Joseph’s School of Music had an enrolment of approximately 400 students, and lessons were offered in piano, violin, singing, and music theory. At this point the school had 30 teachers, seven of whom were Sisters.

In September 1982, the St. Joseph's School of Music was amalgamated with the Western Ontario Conservatory of Music on the University of Western Ontario campus. The St. Joseph's School of Music programs continued, its teachers were invited to join the conservatory staff, and its students were able to continue with their same teachers. By 1993, only three Sisters remained teaching at the conservatory. Shortly thereafter, the three Sisters began teaching independently again, offering independent instruction at the Mount St. Joseph Motherhouse. In 2014, Sister Caroline Bering was the sole Sister still offering music instruction, with one student under her tuition.